In My Printing Apron

debbie little wilson

Tag Archives: hand coloring

Next Step

 

So I made solar plates from my three of my drawings. I made templates of certain areas so that I can use them to cut out handmade Japanese papers for the chine cole’ part of my etching.

And then I inked the plates and prepared the chine cole’ papers. And printed them… These are just a few of this next step... Next, I am going to hand color  certain areas with my prismacolor pencils …. I have seven more plates of women in hats to make…. yikes and to PRINT !!!!!

I will give you a closer look once they are finished..

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What is Cluttering my Drawing Table…..

Well, I got into a drawing frenzy and started drawing 8×8 images of women in hats.

The deal is that I am doing an art exhibit at the Gallery at Round Top in Round Top, TX. with the exquisite painter, John Pinkerton. I love this man’s work. Here is a link to his website… http://oldartguy.com/Home_1.html  ….Our show is going to be called He Said/She Said… So in some emails with John, we discussed what we were going to “say”… We had no idea. LOL. We went our separate ways to see what we were inclined to do.

He came back with 8 or so small paintings of nude (or more appropriately, shirtless) men in hats. Since I have been wanting to do women in hats for quite some time, I felt like now would be a good time to “answer” him back with etchings of  prudish women in hats (with clothing)

So I have rough sketched about 10 women and now I need to figure out how I want to finish them with chine colle’ and the etching process. They won’t always be hanging with John’s happy, shirtless men so these women need to be able to stand alone, as well. Now, I am in the process of  treating each one individually and trying to decide if more detail needs to go into their clothing or into the background.

This may seem like a chaotic way to work and it is… but it is the way these are coming about …

basically, I am a chaotic mess anyway….

You can see that by what is cluttering up my drawing table.

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Before Woodstock…. and Before Cherry Creek Arts Festival……

Well, it was brought to my attention how neglectful I have been of my blog… so this is for you, Earnie….

I thought I would post some photos of what has kept me so busy…

I did some drawings and then transferred them to a sheet of plexiglas.. With a dremel tool, I etched the drawing onto the plexiglas…

After I inked and wiped my plate.. this is what it looked like….

inked and wiped

detail of wiped plate

Next I painted the background with printers ink and scratched around on it and spattered … Then I laid it on my printing press bed….

on the press bed

Then I  put glue on the back of the pieces of handmade papers that I had cut out to fit onto the plate…..

the chine colle process of gluing down handmade papers

Then I placed the pieces of paper onto the plate with the glue side up…. This is a booger to do because you want the papers placed just right..

notice the fork that I use to delicately nudge a piece of paper into it’s correct spot…

Then I place a dampened piece of printing paper over the whole thing…. lay the blankets on top of it all and run it through the press. The pressure of the rollers will transfer what is on the plate onto the paper….

the paper is on…

After I pull the paper off of the plate, I let it dry under blotters.. Once it is completely dry, I hand color it to finish it off…

and this one ended up looking like this…..

finished etching with monoprint background and handmade papers.

I titled this piece Before Woodstock.… mainly because the logo from Woodstock had a bird on the tip of a guitar… Oh, the paper on the banjo is from a vintage sheet of music… The total size of the image is 18 inches by 18 inches…

After I get back from doing the Cherry Creek Arts Festival in Denver, Colorado…..It is my plan to work even BIGGER

that is it for now….

Switching Gears just a tad

I started “Cowgirling Up” for my Fort Worth show and it just didn’t feel quite right yet…. so I decided to switch gears just a tad but still work large.

Here is one that is not quite finished yet but I thought I would post it up so you could see…. this is a combination of a monoprint with an etching plate that I made of a woman juggler… 

"Juggling"

 

The Salina Project…. FINISHED….

Well I did it….. I finished the edition…. Here is what 250 etchings looks like…. well with a piece of foamcore separating each group of 50….

250 solar etching

close up

So they are now packed in the box to ship them to Salina Kansas tomorrow.  And then on to monoprinting….. woo hoo…

my commute to work….

Every morning, I have a short walk from our house to the studio I share with Ken … This morning the air was crisp and chilly and I felt lucky to be here for it…

 … my stack of etchings were waiting for me to color… I am a little more than half done… yahoo.

the path

the studio

The Salina Project… brief intermission, now back to work

So,  for the last two days, Ken and I drove with our brother in law, Joe and our niece, Mary and her soon to be husband, Tyler to listen to a talk that Joe had to give at the Victoria College in Victoria Texas. It was about the influence of the oil business on music… it was quite riveting as are most lectures by Joe ..

here are a few of  the more “tame”  photos taken on the trip…

Joe Specht lecturing

Joe and Mary... Happy Birthday sweet Mary

Ken and Tyler looking at the "good" photos...

So now that we are home, it is back to coloring the etchings for the Salina project…. they seemed to have grown while I was gone… Actually, I have done 70 so far…

Gotta get after it before two of our grandsons, Ben and Ian get here to spend the night. Break time is over…

all 250 etchings...

ready and waiting

my coloring table....

“And Mary Campbell led the Band”…. coloring

I deliberated yesterday on how to color this etching and finally I came up with how to do it. Generally, I used some of the same colors of the hand tinted photo. They just seemed to work…. 

colored version

 

 I use Prismacolor pencils and after I spot color, I take cotton swabs dipped in turpenoid and dab at the area to tear down the color . It blends into the paper . There are a few spots of color that I don’t touch to keep the color on top of the paper and look more bright. 

applying the turpenoid

Here are a few of my stacks… I estimate it will take me at least 20 hours to completely color and sign my whole edition…

a couple of stacks